Mo Gadi builds worlds for a living, in whatever material will hold them. As a creative director and the founder of Tiny Big Things, one of the first AI-native production houses in the UAE, that's meant campaigns and commissions. Left to his own instincts, it's meant something wider: films made with AI because the tool finally caught up to ideas he'd carried for a decade, experiments made for no client and no brief, music videos where an artist handed him three minutes of total trust, short films built alongside writers and visionaries whose instincts he trusts more than his own, and paintings that answer to nothing but time.
The tools change. The instinct doesn't.
Get in touch if any of it moves you to make something too — write to me.
Tiny Big Things is Mo Gadi's answer to a question six years of independent creative consulting kept putting in front of him: what becomes possible when AI stops being a shortcut and starts being a genuine production tool. Built in Dubai and serving governments and multinationals across the GCC, including ADNOC, Aramco, GDRFA, and DCT Abu Dhabi, the studio is the direct outcome of that conviction, engineered from the ground up around AI rather than retrofitted to accommodate it. The result is work that holds its own against anything made the traditional way, at a speed traditional production was never built to match.
UNDO / REDO
A meticulous perfectionist discovers "UNDO," a miraculous skincare cream that allows them to edit their face like a digital image, but when the "REDO" function glitches, they are plunged into a visceral nightmare of generative disfigurement.
Mo Gadi
Director
Narain Jashanmal
Writer
Coming soon...
Coming soon...
Coming soon...
Coming soon...
Write to me.
If something here moves you to make something — a film, a track, a collaboration, a conversation — this is the door.